The Nice only existed for three years, and in that time they went through many a false start as well as some membership and directional changes -- but in the process, they helped bridge the gap between the pop-psychedelia of 1967 and the more ambitious (and, ultimately, pretentious) brand of music known variously as art rock or progressive rock. They never sold many records in their own time, until near the end of their history as a band, but they were among the 1960s groups that had some of the greatest influence on the music of the early '70s. In the beginning, they were just supposed to provide backup, à la Booker T. & the MG's, for American-born soul singer P.P. Arnold, an ex-member of the Ikettes who producer/manager/music mogul Andrew Oldham believed he could make into the next Tina Turner.